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Blood-C
GenreAdventure,[1]dark fantasy,[2]horror[3]
Anime television series
Directed byTsutomu Mizushima
Written byNanase Ohkawa
Junichi Fujisaku
Music byNaoki Satō
StudioProduction I.G
Licensed by
Original networkMBS, TBS, CBC, RKK, WOWOW
Original run July 8, 2011 – September 30, 2011
Episodes12 (List of episodes)
Manga
Written byNanase Ohkawa
Illustrated byRanmaru Kotone
Published byKadokawa Shoten
DemographicShōnen
MagazineMonthly Shōnen Ace
Original run2011 – 2012
Volumes4
Film
Related
  • Blood: The Last Vampire (2000 anime film)
  • Blood+ (2005–2006 anime series)
  • Blood: The Last Vampire (2009 live-action film)

Blood-C (Japanese: ブラッド-CHepburn: Buraddo-C) is a 2011 Japanese anime television series co-produced by studio Production I.G and manga artist group CLAMP. It is the second anime series in the Blood franchise following the 2005–2006 series Blood+. The original 12-episode series aired during 2011, with a movie Blood-C: The Last Dark releasing in Japanese theaters the following year. The anime was subsequently adapted into two manga, a 2011 novelization, a 2015 stage play set between the events of Blood-C and The Last Dark, and two live-action movies.

Parallel to serial conversion simulink models

Blood-C focuses on Saya Kisaragi, an outwardly normal girl who serves as a shrine maiden to a country town; in reality, she is a skilled swordswoman charged by her father to defeat Elder Bairns, monsters who feed on human blood. As her battles grow more desperate and more people she cares for fall victim to the Elder Bairns, Saya begins finding faults in her reality, and eventually uncovers a disturbing truth about herself, the town and her surviving friends.

Blood-C was designed to share only thematic similarities with earlier Blood projects. CLAMP was brought on board to both design the characters and help create the scenario. It featured several new elements to the Blood franchise, such as being primarily set within a high school environment. The Elder Bairns were inspired by the Great Old Ones from H. P. Lovecraft's Cthulhu Mythos, and modeled after traditional Japanese monsters. Its bloody violence, a stylistic choice following the series' themes, resulted in censorship in Japan and eventual blacklisting in China. The series has received mixed to positive reviews from journalists.

  • 4Broadcast
  • 5Related media
  • 7Notes and references

Plot[edit]

Blood-C is set in an isolated rural town on the shore of Lake Suwa in Nagano Prefecture.[4] Saya Kisaragi is the shrine maiden of the Shinto shrine run by her father Tadayoshi, and is outwardly a friendly and clumsy high school girl—her circle of friends include neighbor and cafe owner Fumito Nanahara; school friends Yūka Amino, twins Nene and Nono Motoe, class president Itsuki Tomofusa, the taciturn Shinichirō Tokizane; and Saya's schoolroom teacher Kanako Tsutsutori.

But while living a normal school life by day, Saya and her father spend the night defending the village against Elder Bairns,[5][a] monsters who possess inanimate objects to stalk humans and feed on their blood. Saya's skills in the 'art of the sword' enable her to defeat the Elder Bairns, but those capable of speech accuse Saya and the humans of violating a covenant dubbed 'Shrovetide'. Saya also encounters a talking dog which says it is here to grant someone's wish, and suffers from blanks in her memory and is pained by headaches whenever she tries to remember.

Saya's battles with the Elder Bairns become increasingly desperate as they begin attacking during the day, and both Nene and Nono fall victim, leaving Saya deeply hurt. Shinichirō eventually learns of Saya's burden and offers to help, but is later killed himself. An attack on Saya's school results in everyone but Saya and Itsuki dying before Saya can kill the attacking Elder Bairn. Saya later realizes that only her class and their teacher Kanako were present in the school. Due to the blanks in her memory and comments from the Elder Bairns, she begins questioning her identity and mission.

After the attack that kills Shinichirō, Kanako asks to see Tadayoshi's library, which contains information on the Elder Bairns. They find that the library is a fake, then Kanako confronts Saya with the living Nono, Nene and Shinichirō before forcing her to drink Elder Bairn blood. It is revealed that the town's entire population, including those close to Saya, were actors in an experiment organized by Fumito, and that Saya is actually an Elder Bairn in human form. She had sworn an oath not to kill humans and in turn hunted those of her same kind, but Fumito captured her and subjected her to an experiment. Saya was implanted with false memories of her past 'human life,' all with the goal of seeing whether her inner self could be altered so the oath could be broken. Whenever Saya began relapsing and remembering her past, Fumito used drugs and hypnosis to make her docile again, and all the Elder Bairns she faced were controlled by Fumito using her blood. Kanako had wanted to use Saya to prove the existence of Elder Bairns, suborning Nono, Nene and Shinichirō to help her.

Fumito, Itsuki and Yūka then confront them, with Fumito unleashing an Elder Bairn that brutally kills Nono, Nene and Shinichirō for their treachery. Saya saves Kanako from the Elder Bairn while killing it, but Kanako is then killed by Tadayoshi, revealed to be a human-Elder Bairn hybrid driven berserk by an overdose of Saya's blood given by Fumito. Saya—now back to her true self—is forced to kill Tadayoshi, and witnesses Fumito release an artificial Elder Bairn which slaughters the town's population before Saya kills it. Fumito's soldiers attempt to shoot Saya, but Itsuki sacrifices himself to save her as he had grown to love her. Fumito and Yūka—who participated so as to achieve political power with Fumito's help—escape on a helicopter. When Saya tries to stop them, Fumito shoots her. Recovering on the lakeside, Saya learns from the dog that her wish was to remain herself when in Fumito's experiment, and that she must now pursue her next wish. Saya sets off in pursuit of Fumito.

Characters[edit]

  • Saya Kisaragi (更衣 小夜Kisaragi Saya): The main protagonist—she is unrelated to any previous entry in the Blood franchise aside from her first name, chosen weapon and abilities.[5][7] Outwardly, Saya is an innocent and clumsy girl who acts as the shrine maiden at her father's shrine, going out at night to hunt Elder Bairns as part of a sworn duty.[8] In reality, she is an Elder Bairn who was abandoned and raised by humans. Due to an oath she swore, she is unable to feed on humans herself, and the experiment was designed to see if her nature could be altered.[9] Saya is voiced by Nana Mizuki in Japanese.[8] Mizuki described Saya as she is portrayed in the anime as an easy-going girl who enjoys her school life and shares a strong bond with Tadayoshi.[10] In the English dub, she is voiced by Alexis Tipton.[11]
  • Fumito Nanahara (七原 文人Nanahara Fumito): The owner of a cafe just opposite Saya's home, who acts as cook for Saya and her father, preparing Saya's school lunches.[8] Fumito is revealed to the mastermind behind the entire experiment, manipulating events in an attempt to rewrite who Saya is.[9] Fumito is voiced in Japanese by Kenji Nojima.[8] Nojima described Fumito's character as a mysterious, friendly and knowledgeable figure.[10] In the English dub, he is voiced by Robert McCollum.[11]
  • Tadayoshi Kisaragi (更衣 唯芳Kisaragi Tadayoshi): Saya's father, and the owner of the Shinto shrine where Saya acts as shrine maiden. He also supervises her role as a slayer of Elder Bairns.[8] In truth, he is a human-Elder Bairn hybrid used by Fumito to capture and manipulate Saya due to their strong similarity.[9] Tadayoshi is voiced in Japanese by Keiji Fujiwara.[8] Fujiwara described Tadayoshi as a stern character who hides the depths of his fatherly feelings for Saya.[10] In the English dub, he is voiced by Bill Jenkins.[11]
  • Yūka Amino (網埜 優花Amino Yūka): A member of Saya's class who acts as an older sister figure, chastising Saya for being late or distracted while also caring about her.[8] In reality, Yūka is an ally of Fumito who joins his experiment in exchange for political power in Tokyo. She is the only member of the 'main cast' to survive.[9] Yūka was voiced in Japanese by Masumi Asano.[8] Asano described Yūka's initial character as a rough and loud person with a kind heart.[10] In the English dub, she is voiced by Martha Harms.[11]
  • Itsuki Tomofusa (鞘総 逸樹Tomofusa Itsuki): The class president for Saya's class, he is considered the class' star and has unspoken feelings for Saya that she is oblivious to.[8] He is also part of the experiment, but develops genuine feelings for Saya that lead to his death when he tries to defend her from Fumito's men.[9] It is later revealed that he was a spy sent by enemies of Fumito to observe the report on the experiment.[12] Itsuki is voiced in Japanese by Atsushi Abe.[8] Abe described Itsuki as a distinguished figure who is overly quiet about his feelings.[10] In the English dub, he is voiced by Chris Burnett.[11]
  • Shinichirō Tokizane (時真 慎一郎Tokizane Shin'ichirō): A taciturn classmate of Saya for whom she develops a crush during the course of the series.[8] While he feigns affection for Saya, he is in revealed to be a mercenary taking part in the experiment on promise of a high payment.[9] Shinichirō is voiced in Japanese by Tatsuhisa Suzuki.[8] Suzuki defined Shinichirō as a silent character with an air of importance surrounding him.[10] In the English dub, he is voiced by Scott Freeman.[11]
  • Nene & Nono Motoe (求衛 ねね&ののMotoe Nene & Nono): A pair of identical twin girls in Saya's class, who act in a mischievous way and often speak in unison.[8] In reality, they are former criminals who participated in the charade to have their records erased so they could find work.[9] The pair are voiced in Japanese by Misato Fukuen.[8] Fukuen described the duo as the anime's 'mascot characters'.[10] In the English dub, they are voiced by Lindsay Seidel.[11]
  • Kanako Tsutsutori (筒鳥 香奈子Tsutsutori Kanako): Saya's homeroom teacher, a woman with a casual and sometimes joking attitude, and a liking for Saya. She is also fascinated by old stories and folklore.[8] In reality, she is a scholar who agreed to participate in Fumito's scheme to learn about Saya and prove the Elder Bairns' existence.[9] Kanako is voiced in Japanese by Miho Miyagawa.[8] In the English dub she is voiced by Lydia Mackay.[11]
  • Dog (犬Inu): A character who converses with Saya over the course of the series, being the one responsible for granting her wish to remain herself. Its true identity is the familiar of Kimihiro Watanuki, a character from the manga series xxxHolic.[13][14] The dog is voiced by Jun Fukuyama in Japanese. When he was recording his dialogue for the series, Fukuyama was surprised that the very last line of the final episode was given to a dog.[14] In the English dub, the dog is voiced by Todd Haberkorn.[11]

Production[edit]

The yokai-based designs of the Cthulhu Mythos-inspired Elder Bairns were decided upon after the creation of the first episodes' Elder Bairn, modeled after a Jizo statue.[15]

Blood-C was a collaborative production between Production I.G and CLAMP. Production I.G is an animation studio which had created the Blood franchise with the 2000 film Blood: The Last Vampire, which was the studio's first attempt at an original in-house project. CLAMP is an all-female manga artist group made up of writer Nanase Ohkawa and artists Mokona, Tsubaki Nekoi, and Satsuki Igarashi. The main staff included both newcomers and people who had worked on previous entries in the Blood franchise. These included concept creator and co-writer Junichi Fujisaku, one of the original creators of the Blood franchise; and director Tsutomu Mizushima, whose most notable recent work was the anime adaptation of CLAMP's manga xxxHolic. Background artwork was created by Hiromasa Ogura, and setting artwork was created by Kazuo Kanpei of Kusanagi. 3D CGI was handled by Tsukamoto Mori.[5][6] The music was composed by Naoki Satō, whose previous work included Sword of the Stranger.[5] The opening theme 'Spiral' was performed by Dustz, who worked hard to make the song a suitable addition to the Blood canon and incorporated both Japanese and French lyrics. The ending theme, 'Junketsu Paradox', was sung by Nana Mizuki—the voice actress for Saya—who used the anime's story as inspiration and incorporated archaic phrases for the lyrics.[16] The production team was dubbed 'Project BLOOD-C TV'.[6]

When developing plans for Blood-C, it was decided to shift its setting based on positive feedback from the change of setting between Blood: The Last Vampire and the franchise's first anime series Blood+. The only elements to be retained were the first name of the main character, having a katana as her weapon, and the basic premise of her defeating monsters with that sword.[7] The wish for the project to be distinct from earlier entries was what spurred the collaboration with CLAMP, which became a large part of the anime's marketing campaign.[17] Fujisaku, when asked in an interview to describe his one creative ambition for the series, said that it was to fully expand and build upon the basic concept established in Blood: The Last Vampire.[18] The choice of a school setting, the first of its kind to be featured in the Blood franchise, was chosen because Mizushima wanted to portray a school life for Saya.[19] When asked, Mizushima did not find the change from his previous comedy anime-based turnout a barrier to his work, but did feel pressure when handling a project within the Blood franchise.[17]

The scripts were written by Ohkawa and Fujisaku.[5] While Ohkawa took charge of each episode's dialogue, Fujisaku handled fight sequences. Fujisaku pointedly avoided contributing too much to the dialogue as Ohkawa's writing had a very distinctive style, his alterations made only due to story inconsistencies.[18] The series was composed in a way that gradually revealed the central mystery while pitting Saya against progressively stronger foes.[7] The setting's intensely 'normal' appearance was designed to make viewers feel uneasy as faults begin appearing in Saya's everyday life.[19] According to Ohkawa, the main theme of the series was examination of the hero's role as a lonely protector of the innocent. Alongside this was the portrayal of Saya's seemingly normal life and now her role as the town's protector began intruding upon this everyday life. The final episodes were intended to evoke viewer sympathy for Saya due to the terrible ordeal she had been subjected to. The series broke from conventions of a hero-focused anime by portraying the relationships between Saya and those close to her in a very shallow way during the opening episodes. For the final few episodes, when the truth is revealed about Saya and her school life, the supporting cast were generally portrayed as 'hateful' people that the viewers would wish to see die. So as to keep the series' twist ending a secret, the entire voice cast including Mizuki and Nojima—the respective voice actors of Saya and Fumito—were told nothing about the final episode's events.[15] A different interview revealed that each cast member were only given the scripts for three episodes at any one time to preserve secrecy.[10] The subtitle of each episode was drawn from the Japanese poetry anthology Ogura Hyakunin Isshu.[15] The series made regular use of bloody violence, which was exaggerated to distance viewers from the show's horrific elements. Despite this, the director said the show was not deliberately focused on bloody violence.[20]

The design of the main cast was handled by CLAMP.[5] According to Mizushima, the team wanted to portray Saya in a far more human way than her previous incarnations, ending up creating a character more human then even the true human characters.[17] Saya's character as a long-haired, song-singing meganekko (girl in glasses) almost entirely created by CLAMP. Due to the stark differences between this version of Saya and previous versions, Fujisaku did not used her original surname 'Otonashi', so viewers could clearly distinguish Saya's portrayal from previous entries.[18] When deciding upon her strength, Mizushima decided to use Hit-Girl from the movie Kick-Ass as a role model, making Saya stronger than Hit-Girl while also putting her into a high school environment.[21] The animation character designer was Kazuchika Kise, who worked on Blood: The Last Vampire.[5]Yasuomi Umetsu directed and worked on the storyboard for the game's opening along with Kise. A key part of the opening was a layer of blood peeling away from Saya's naked form. While compared by many to the opening of Ghost in the Shell, Umetsu said that it represented Saya's personal evolution during the course of the show.[22]

The Elder Bairns were designed by Tomohiro Shinoda.[6] They were initially conceived by Ohkawa as Japanese versions of the Great Old Ones, figures from the Cthulhu Mythos created by H. P. Lovecraft, but this was changed. While some elements remained from the initial concept, the final Elder Bairns' physical forms as faced by Saya were inspired by yokai from Japanese folklore at Mizushima's insistence—this design choice was decided upon after storyboarding finished for the fight against the first episode's Elder Bairn, which was modeled after a Jizo statue. This initial concept was expanded upon by Mizushima, Ohkawa and Fujisaku.[15] The disguised form of the Elder Bairn from the fifth episode was based on train carriages from the Kamikōchi Line in Nagano Prefecture that Mizushima had enjoyed traveling on as a boy.[23] The Elder Bairn from the ninth episode was intended for the second episode, but the staff felt it was too strong to appear so early, so it was shifted to a later episode. All the Elder Bairns were designed to give the impression of a 'vivid, flesh-and-blood texture'.[15]

Free

Broadcast[edit]

Blood-C was first announced in March 2011, with its core staff and its approximate air date in July.[24] The series began broadcasting on July 7, 2011.[25] While scheduled for June 7, its late night slot meant that the first episode's actual broadcast was on July 8.[25][26] In celebration of the anime's release, an autographed copy of the first episode's script was offered in a competition through the anime's official website.[27] A special web radio series featuring actors from the show also began broadcast in July alongside the series.[28] Dubbed 'Blood-R', it ran for eleven episodes.[29] It first began broadcasting on Mainichi Broadcasting System (MBS) on July 7 and Tokyo Broadcasting System (TBS) on July 8.[30] Several episodes were repeated during the original broadcast in a three-day successive broadcast in August.[31] Its twelve-episode run ended on September 30, 2011.[26][32][33][34] During the original broadcast, scenes were Saya's friends or other humans characters were killed by the Elder Bairns—the process of which invariably involved extensive blood and gore—were censored with areas of light and darkness. The deaths of Elder Bairns and mild erotic elements during a bathing scene with Saya were left uncensored.[15][35]

During its original run, it was broadcast simultaneously in North America, the United Kingdom, Canada, Australia, New Zealand and South Africa through the Western branch of Niconico.[36][37][38] In addition to this, the series broadcast on Chubu-Nippon Broadcasting from July 13,[30] and Kumamoto Asahi Broadcasting RRK station from July 31.[39]Blood-C would later debut on WOWOW in 2013: Episodes 1 to 10 were broadcast back to back on September 22, while the final two episodes broadcast on September 29.[40] In 2015, Niconico's Japanese channel ran a marathon broadcast of all twelve episodes starting from June 28.[41]Blood-C was one of three anime cited—alongside Highschool of the Dead and Terror in Resonance—in a warning given by the Chinese Ministry of Culture to video streaming sites due to the series high violence.[42]Blood-C was later put on a blacklist by the Ministry of Culture alongside 37 other anime and manga series, prohibiting its physical and online distribution in mainland China.[43]

Home media[edit]

The series' Blu-ray and DVD releases were handled in Japan by Aniplex.[44] The series released in six volumes between September 28, 2011 and February 22, 2012.[45] The series' English dub and North American licensing was handled by Funimation.[11] A box set containing the whole series released for Blu-ray and DVD on January 22, 2013.[46] In Australia, the series was licensed by Madman Entertainment, releasing as a box set for DVD and Blu-ray on April 17, 2013.[47][48] In Europe, the series was distributed by Anchor Bay Entertainment through Manga Entertainment. It released as a box set on DVD and Blu-ray on June 10, 2013.[49]

Related media[edit]

Films and stage play[edit]

A theatrical movie was announced shortly after the anime series, acting as a conclusion to the story of Blood-C.[50] Titled Blood-C: The Last Dark, it released in Japanese theaters on June 2, 2012.[51][52] A live-action prequel set during the military regime of pre-World War II Japan, titled Asura Girl: Blood-C Another Story, was announced in January 2017. The movie was directed by Shutaro Oku and written by Fujisaku.[53][54] It premiered in select theaters in August 26 of that year.[54] A second movie, Blood-Club Dolls is set for release in late 2018. Oku returns as director and Fujisaku as scriptwriter. Kōsuke Nishimoto is the composer, while Seiichi Horiguchi and Sennosuke Okumura act as producers.[55]

A stage play titled Blood-C: The Last Mind was produced by Nega Design Works, being staged at the Setagaya Public Theater between July 2 to July 5, 2015. The stage play was directed by Oku, who also created stage plays based on Persona series, and written by Fujisaku. Set between the events of Blood-C and The Last Dark, it expands upon Fumito's backstory.[56][57][58] Several actors from the play reprised their roles for the live-action movies.[54][55]

Print[edit]

A novelization of the series was written by Fujisaka, released on October 4, 2011 by Kadokawa Shoten.[4] A manga adaptation of Blood-C was announced alongside the anime. Adapted by manga writer and illustrator Ranmaru Kotone, it debuted in the June issue of Monthly Shōnen Ace on May 26.[24] The manga ended in August 2012, having run for over a year.[59] The manga was released in four volumes between July 26, 2011 and November 21, 2012 by Kadokawa Shoten. The manga covered the events of the whole story of Blood-C, from the anime series to the feature film.[60][61][62][63] The manga was licensed for the West by Dark Horse Comics.[64] Its four volumes released between March 6, 2013 and December 30, 2015.[65][66][67][68]

Movie

A second spin-off manga series titled Blood-C: Demonic Moonlight began serialization in the debut issue of Newtype Ace in September 2011. It was written by Ryo Haduki.[69][70] Set in post-war Japan in 1946, the story of Demonic Moonlight acts as a prequel to Blood-C. The manga ended in May 2012.[70] It was released in two volumes on December 17, 2011 and May 23, 2012.[71][72] As with the series' manga adaptation, Dark Horse Comics licensed the manga for Western publication.[70] The two volumes released on May 18 and August 3, 2016.[73][74]

Reception[edit]

During its opening week, the first DVD/Blu-ray volume failed to reach a high position in the charts against many anime and live-action releases, selling only 727 copies according to Oricon.[75] In contrast, at its release in the United Kingdom, the Complete Series release reached #4 in the anime charts.[76] At the Reaper Award awards show, Blood-C was awarded the 2013 for 'Best Animation'.[77]

Richard Eisenbeis of Kotaku praised the character and Elder Bairn designs, and also enjoyed the questions the anime posed about where Blood-C fit in both the overall Blood franchise and the works of CLAMP. He was more mixed about the odd juxtaposition of innocent school life with the high violence of Elder Bairn encounters. He was also unsure about the ending, saying it tidied up the series' mysteries but required watching the movie to understand the story. He ended his review by calling Blood-C 'a beautifully drawn show with excellent action and a legitimately compelling mystery'.[78]

Bradley Meek, writing for THEM Anime, gave the series 3/5 stars. He praised the way the series maintained its horror-based atmosphere in between the action sequences. He greatly enjoyed the horror and action aspects, but felt that the character-driven segments in early episodes threatened to drag down the whole experience due to mundane content and poor characters. Talking about the anime's second half, he said that it drastically altered the pace and content to the point that viewers might be put off with its conscious bending of the rules of handling characters and viewers alike—Meek was ultimately angry at the series' brutal ending, but it also left him eager to see its movie conclusion.[3]

Anime News Network's Carlo Santos gave the subtitled version a score of 'B-' and the dubbed version as score of 'C+'. He found the darker elements hidden so well in early episodes that it made the series boring to watch, and that the ending would divide opinion due to its drastic alteration of how events in the series played out and its discussion of both horror tropes and the standard elements of the Blood franchise. The action scenes came in for regular praise for their choreography and many monster designs, but the school life segments were seen as boring and overly slender character designs. Santos unreservedly praised the music's quality and recurring melodies despite calling the opening and ending themes 'typical angst-ridden rock numbers'. He called the English dub 'understated (but not emotionless)', finding that it reinforced the overall atmosphere and only suffered due to the original writing.[79]

Notes and references[edit]

Notes[edit]

2018
  1. ^Furukimono (古きもの[6], lit. 'Old Things', also called 'Ancient Ones')

References[edit]

  1. ^'BLOOD-C'. Funimation. Retrieved June 16, 2018.
  2. ^'BLOOD-C 5 ＜完全生産限定版＞（Ｂｌｕ－ｒａｙ Ｄｉｓｃ）' (in Japanese). Seven Net Shopping Co., Ltd. Retrieved August 9, 2018.
  3. ^ abMeek, Bradley (2012). 'THEM Anime Reviews – Blood-C'. THEM Anime. Archived from the original on April 10, 2016. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  4. ^ abＢＬＯＯＤ‐Ｃ (in Japanese). Kadokawa Shoten. Archived from the original on October 15, 2011. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  5. ^ abcdefg'Production I.G and CLAMP collaborate on BLOOD-C Project'. Production I.G. Archived from the original on August 23, 2014. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  6. ^ abcdオリジナルアニメーション :: BLOOD-C :: STAFF&CAST (in Japanese). Blood-C Japanese Website. Archived from the original on November 11, 2016. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  7. ^ abcBLOOD-C –　プロダクション I.Gのプロデューサーが抱き続ける. Otane Anime (in Japanese). Yosensha (21): 100–105. August 7, 2011.
  8. ^ abcdefghijklmnopオリジナルアニメーション :: BLOOD-C :: CHARACTERS (in Japanese). Blood-C Japanese Website. Archived from the original on March 15, 2016. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  9. ^ abcdefghFujisaku, Junichi (October 4, 2011). ＢＬＯＯＤ‐Ｃ [Blood-C]. Kadokawa Shoten. ISBN4-04-394477-2.
  10. ^ abcdefghオリジナルアニメーション :: BLOOD-C :: キャストインタビュー (in Japanese). Blood-C Japanese Website. Archived from the original on April 17, 2016. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  11. ^ abcdefghijLoveridge, Lynzee (November 1, 2012). 'Blood-C's English Dub Cast, Trailer Revealed'. Anime News Network. Archived from the original on November 13, 2015. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  12. ^Blood-C: The Last Dark (DVD, Blu-ray). Manga Entertainment. March 24, 2014.
  13. ^Shalimar, Sahota (March 13, 2012). 'Blood-C The Last Dark – New Character Art Details'. MCM Buzz. Archived from the original on February 11, 2017. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  14. ^ ab押井 守も絶賛！ CLAMPからの激励コメントも『劇場版BLOOD-C The Last Dark』舞台挨拶 (in Japanese). CDJournal. June 18, 2012. Archived from the original on February 11, 2017. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  15. ^ abcdefＢＬＯＯＤ‐Ｃ　ＯＦＦＩＣＩＡＬ　ＣＯＭＰＬＥＴＥ　ＢＯＯＫ　胎動 [Blood-C Official Complete Book Fetal Movement] (in Japanese). Kadokawa Shoten. October 27, 2011. ISBN4-04-854714-3.
  16. ^オリジナルアニメーション :: BLOOD-C :: MUSIC (in Japanese). Blood-C Japanese Website. Archived from the original on April 30, 2016. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  17. ^ abcBertschy, Zack (September 1, 2011). 'Interview: Blood-C's Tsutomu Mizushima and Junichi Fujisaku – Part 1: Tsutomu Mizushima'. Anime News Network. Archived from the original on April 5, 2016. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  18. ^ abcBertschy, Zack (September 1, 2011). 'Interview: Blood-C's Tsutomu Mizushima and Junichi Fujisaku – Part 2: Junichi Fujisaku'. Anime News Network. Archived from the original on March 5, 2016. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  19. ^ ab「BLOOD－C」　バイオレンスアクションをとことん '妙な'感じを大事に. Mantan Web. August 27, 2011. Archived from the original on November 8, 2011. Retrieved August 31, 2011.Cite uses deprecated parameter deadurl= (help)
  20. ^Mizushima, Tsutomu (September 18, 2011). あいまいな答えですみません。 (in Japanese). Tsutomu Mizushima Blog. Archived from the original on March 4, 2016. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  21. ^Mizushima, Tsutomu (July 7, 2011). 今週、はじまります。 (in Japanese). Tsutomu Mizushima Blog. Archived from the original on March 4, 2016. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  22. ^アニメ業界ウォッチング第18回：「オープニング・アニメの鬼才」としての苦心とよろこびとは？　梅津泰臣監督インタビュー！ (in Japanese). Akiba Souken. February 13, 2016. Archived from the original on December 24, 2016. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  23. ^Mizushima, Tsutomu (July 23, 2011). 電車。 (in Japanese). Tsutomu Mizushima Blog. Archived from the original on September 4, 2014. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
  24. ^ ab'CLAMP, I.G to Collaborate on Blood-C Original Anime'. Anime News Network. March 24, 2011. Archived from the original on December 23, 2016. Retrieved January 17, 2017.Cite uses deprecated parameter deadurl= (help)
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External links[edit]

  • Official website(in Japanese)
  • Blood-C (anime) at Anime News Network's encyclopedia
  • Blood-C on IMDb
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Blood-C&oldid=912511592'

Blood The Last Vampire 2009 Full Movie

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Alternative Titles

English: Blood-C: The Last Dark
Japanese: 劇場版 ブラッドシー ザ ラスト ダーク

Information

Episodes: 1
Aired: Jun 2, 2012
Producers:Aniplex, Dentsu, Shochiku, Kadokawa Shoten, Mainichi Broadcasting System, Dwango
Studios:Production I.G
Genres:Action, Horror, Supernatural, Vampire
Rating: R+ - Mild Nudity

Statistics

Ranked: #25612
2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Members: 58,371
Ranked #2561Popularity #1632Members 58,371
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Synopsis

Having escaped the many horrors of her village, Saya Kisaragi vows to hunt down the monster responsible and make him pay with his life. As she tears through flesh and bone for her vendetta, she encounters SIRRUT, a group of ingenious hackers, who enlist Saya to help them defeat a common enemy—someone she knows all too well.
Unfortunately, the path she follows is paved with tragedy, as once again, Saya faces betrayal at the hands of those she has come to trust. With her back against the wall, the fearsome monster slayer must fight with all her strength and skill if she is to overcome this final mission and exact vengeance.
[Written by MAL Rewrite]

Background

No background information has been added to this title. Help improve our database by adding background information here.

Related Anime

Adaptation:Blood-C: The Last Dark
Other:Blood+, Blood: The Last Vampire
Prequel:Blood-C, Blood-C: Special Edition

Characters & Voice Actors

Kisaragi, Saya
Main
Mizuki, Nana
Japanese
Nanahara, Fumito
Nojima, Kenji
Japanese
Hiiragi, Mana
Main
Hashimoto, Ai
Japanese
Watanuki, Kimihiro
Fukuyama, Jun
Japanese
Dog
Supporting
Fukuyama, Jun
Japanese
Motoe, Nene
Supporting
Fukuen, Misato
Japanese
Tokizane, Shinichirou
Suzuki, Tatsuhisa
Japanese
Motoe, Nono
Supporting
Fukuen, Misato
Japanese
Tsutsutori, Kanako
Miyagawa, Miho
Japanese
Kisaragi, Tadayoshi
Supporting
Fujiwara, Keiji
Japanese

Staff

Shiotani, Naoyoshi
Director
Naganuma, Norihiro
Director
Iwanami, Yoshikazu
Sound Director
Ichimura, Tetsuo
Episode Director

Edit Opening Theme

No opening themes have been added to this title. Help improve our database by adding an opening theme here.

Edit Ending Theme


More reviewsReviews

1 of 1 episodes seen
AidanAK47(All reviews)
81 people found this review helpful
Overall3
Story3
Animation7
Sound5
Character3
Enjoyment3
Ah, Blood. To put it basically it was animes equivalent of Buffy the vampire slayer. Starting off from the fairly decent Blood: The Last Vampire movie and then moving on to the mediocre but well received Blood+ series. And then our dear old Clamp decided to try a hand at giving the blood series a new look. Enter Blood-c, a name which gave me a bad feeling from the get go. A series which suffered from abysmal storytelling, over-exaggerated gore which looked more comical than disturbing, characters with little likability and it says a lot when you can say that half the series can be skipped without anything significant being lost.
Now we have Blood-c The Last Dark, a title which still makes no sense even after having seen the film. So let me answer the first question you have. Is it better than the tv anime series? Honestly, yes it is. But considering the quality of the tv series that isn't really something hard to accomplish. Despite that it still remains a poor film. Starting with story. Much like the tv series, a large amount of the film feels like padding. We are treated to a familiar vampire fight on a train which in turn causes Saya to meet the members of a a group called 'Surat' which happen to be teenagers.(Naturally) From this moment on the plot progression comes to a complete halt. For well over forty minutes we are shown mainly the overly out of place comical characters of Surat. But then plot kicks in gear again and remembers what it's supposed to be focusing on and we are treated to an action scene and really that's about it. This supposedly inspires one of the members of Surat to get their ass in gear and direct Saya to the end boss. (Which apparently is a building that nobody can find despite it being clearly viewable from the coast of the city.) From that point on all the characters of Surat are rendered completely worthless. They don't appear again except for the epilogue and they don't effect the plot in any way. The finale is rather disappointing and anti-climatic. I had hoped that the writer would have learned from the tv series that twists that come out of nowhere for shock value is not good storytelling. Apparently they didn't. It really says a lot when they take the time to create a giant monster which in turn is defeated in a single strike within moments. Overall a large amount of the story feels unnecessary and plot points such as the curfew placed on minors are dropped with little explanation or exploration.
I cannot say the art was bad. However I can say I was underwhelmed by it. If you were keeping an eye on anime news then you would know that this movie received a grant from the government so there was no reason they couldn't go all out with the animation. Still I didn't see anything truly impressive. Honestly the quality was similar to that our the currently ongoing psycho pass in my opinion. This is just speculation but either all that cash went into the characters exaggerated reactions and cg or it might be the reason Production I.G has seen a sudden increase of productivity with anime series.
Sounds is something I can't comment on as I didn't take much notice of it. Though if I had to derive an opinion based on my watch I would deem it forgettable.
Characters are something of an oddity. Saya has traded her annoying bubbly carefree personality from the tv series for a more stereotypical broody cold type. There really is not much to say about it. Our main antagonist is a jumbled mess. Mainly because he has little to no focus in the film at all. He appears briefly at the beginning, briefly at the middle and then at the end. So his motivations remain confusing and nonsensical. The rest of our characters is where the movie spends most of it's time with which to me is rather odd way of using your limited time. This is because of the pointlessness of these characters to the main story. The members of Surat hold no purpose in the story besides two instances of telling her 'Go here to find Fumito' and justifying a silly twist at the end. In retrospect that time spent developing them could have been better used to develop our two main characters seeing as they are the ones effecting the actual story and most need fleshing out. Also I really need to point out again just how out of place these Surat members are. They act much like characters in a sitcom and clash greatly with the atmosphere of the story itself. You can't exactly show us Saya killing a monster brutally and expect us to brush that off and enjoy comic relief. On that note, a loli learning to type on a keyboard with her feet is the most ridiculous thing I have seen. I mean even someone who isn't that into computers can tell you that not many computers allow you to use two keyboards at the same time, also no computer lets you type into two windows simultaneously. So that really makes typing with your feet a pointless skill.
Really I feel sad for the blood series. If only a competent writer was hired then maybe something great or at least fairly enjoyable could have came out of Blood-C. But here I am watching an hour and forty minute film with a bored look on my face
1 of 1 episodes seen
moephistopheles(All reviews)
45 people found this review helpful
Overall3
Story2
Animation4
Sound5
Character2
Enjoyment2
IG and CLAMP definitely had the potential to turn this trainwreck of a series around for the better. The finished product? Nothing but bitter disappointment about how a great piece, Blood: The Last Vampire, could be turned into this.
The issues definitely begin in the characterisation. Nobody is interesting. There is no emotional attachment to any of the struggles they go through, and we 'care' because the movie tells us to. Fumito definitely had the potential to be a remotely decent villain, but even there we are let down.
The animation is mixed, but overall it is fairly negative. Much similar to the series Blood-C, the majority of art enjoyment comes from the monster design - and while a lot of what appeared is clearly rehashed from Blood+ and the entire Blood series (if you dare group them together), it is still the high point. For the remainder of the scenes, the animation is carefully guised to look pretty with that distinct I.G. style, but with some inspection the flaws are gaping. The CGI scene? Lets not go there.
The plot itself made no real sense. The concept was clear, but the whys and hows of it were significantly lacking. There is no resolution, or even understanding, of the events that transpire and why we should be interested in them. Watanuki appears simply as CLAMP fanservice, in a drawn-out sequence which was really unnecessary.
Blood-C has concluded to be a trainwreck of a project. With I.G. having input, one would have hoped for a return to the glory days of Blood: The Last Vampire. However the final project is nothing short of ridiculous, and while it is a definite improvement from the series it is still not cutting remotely close to average.
1 of 1 episodes seen
AnaMustacho(All reviews)
34 people found this review helpful
Overall8
Story8
Animation9
Sound8
Character7
Enjoyment10
-Overal-
I'd like to firstly recommend everyone to watch the Blood-C specials because they summon up the series really well. The specials go straight to the point without leaving behind important information. The feeling you get after watching it will help you when you watch the movie directly afterwards.
Ofcourse if you saw the series then even better. I saw it as well, yet bcs it has been so long since, I watched the specials and it helped me remember every feeling.
Do you know how it feels to be betrayed and lied to? Have you ever hated yourself for what you believe happend because of you?
Try to picture it. Try to stand in her shoes.
I admit that in the series her character may be very annoying, hell even I thought so at times. But in the movie they made up for it.
Some say there is no character development, well I think they're wrong.
In the beginning of the movie Saya is cold, you can't blame her after what happened. Gradually she changes yet stays herself.
Whats diffrent? She found someone like her. No, not a 'monster' but a person.
That person as well changes into a stronger someone because of the person's encounter with Saya.
Saya seeks for revenge but in the end is it really as she thought it was?
Watch the movie to find out what happened in the end. Find out the truth behind all these masks. //Nothing is as it seems.
-Sound-
Overal the sound was alright actually. It wasn't wrongly added in a disturbing way. They mainly added it where it was needed for the tension.
So overal a 8/10 for me.
-Art-
aaah Clamp and IG did an amazing job as is expected, definetly a 9 out of 10.
The animation is beautifully done and the monsters I have to say are discustingly amazing!!
The exesive use of blood is indeed still there but hey once you start it off like that, why not finish ;D
-Story-
The movie actually has a great story and it goes straight to the point: her revenge.
As for the title: 'The Last Dark', I think they actually explained that in the end of the movie when Fumito 'explains' a few things about Saya.
So be sure to look out for that :D
In the end I give the movie an 8,5 out of 10.
1 of 1 episodes seen
cenkazor(All reviews)
25 people found this review helpful
Overall9
Story8
Animation9
Sound9
Character8
Enjoyment9
Blood-C maybe a distant memory for some (and for some they would love to forget) but what this movie has done has really blown me away. In short it reminded me of the emotions, the power of music and that top quality art, of what has made the blood franchise what it is.
As we go back to memory lane, the Saya we all knew in Blood-C has returned into a distant cold and direct character with one mission. To take down Fumito. The way her character has changed makes her alike with all the other Saya's in the sense that deep down in that cold self there is still a heart beating in their vampire-selves.
Just like in the animated Blood-C series, the continuation of Clamp references amuses those who are familiar with it and of course the return of Watanuki in his lovely shop attending to Saya's services.
The new characters within the movie has a very lovely chemistry between them, and creates a nice light-hearted atmosphere amongst the dark and eerie of what the movie is mainly about. Mana and her backstory and character development alongside Saya's struggling journey was nicely added just like how Kuroto was added to set the scene for Saya's meet up with Fumito.
In short, just like the blood-c series, the twists are there, and are full of impact. But in all honesty, don't let what the blood-c series became deter you from watching the movie. The movie outshines all that was of that series and really brings back what has made the blood franchise a masterpiece.

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Recent News

Here are the North American anime & manga releases for October Week 1: October 4 - 10 Anime Releases Blood-C Complete Collection Blu-ray & DVD Combo (S.A.V.E..read more

Oct 3, 2016 10:19 AM by Sakana-san Discuss (14 comments)

FUNimation announced at their Anime Expo panel the acquisitions of the following series: Hidan no Aria (Aria the Scarlet Ammo) Jormungand Blood-C Blood-C: The Last D..read more

Jul 3, 2012 2:37 PM by Naruleach Discuss (66 comments)


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Poll: Blood-C: The Last Dark General Discussion ( 123 )
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